I was the cinematographer for the short film COLLIDE, a project that was both creatively rewarding and technically demanding. I developed shot lists and curated photo references that served as visual storyboards to guide the production. This experience strengthened my skills behind the camera and deepened my understanding of visual storytelling. The film was shot on a Panasonic EVA, and I used a Steadicam to capture all the scenes set in “the void,” enhancing the dreamlike quality of those sequences.